Metacritic rated it 56/100 based on nine reviews. Rotten Tomatoes, a review aggregator, reports that 43% of 21 surveyed critics gave the film a positive review the average rating is 5/10. Cinedigm released it on DVD on April 25, 2017.
Berglind Rós Sigurdardóttir as Tour Guideīokeh premiered at the Santa Barbara International Film Festival on February 3, 2017, and Screen Media Films released it in the United States on March 24. Riley initially attempts suicide but instead drives off, anguished, without burying her. Looking all over for her, he finally finds her body floating in a geothermal pool, having apparently drowned herself. Riley, when he returns home, becomes concerned when he finds a package of developed pictures left for him by Jenai. Jenai excitedly opens an email waiting for her on their laptop but is crushed when it is revealed to be a picture from Riley, who is enthused about taking pictures of Iceland in a new season. Riley suggests she is looking for answers where there are none and that they should instead be trying to make the best of their new life. After they return to the city, Jenai becomes obsessed with searching for more survivors. Riley insists on doing it because "it's what we do". Thinking back to his philosophy, she asks why they should even bother burying him. The next morning, Riley tells Jenai that Nils has died. Jenai is disturbed when he says he did not protest this, as he believes it is useless to fight against God's will, which he says does not take humanity into consideration. When he returned, he found they had changed. Nils tells Jenai about his home life: as a young man, he left his family for lengthy periods to make money as a fisherman. Initially excited to find another survivor, Riley becomes frustrated with Nils' defeatist attitude. After they give him food and water, he explains that he left the city early on and returned to his cabin. Exploring a cabin, they come upon an old man named Nils. After Jenai becomes overwhelmed by the decaying city, Riley suggests they go camping. Riley calls it beautiful, but Jenai sees only a reminder of the dead world they now inhabit. Seeing Jenai's poor mood, Riley attempts to cheer her by bringing her to the abandoned husk of an airplane he found. He says he can simply farm for more food if necessary, but she insists they follow the agreement. Riley angers Jenai when he eats perishable food out of the agreed-upon order based on expiration date. As their supplies grow scarcer, Jenai and Riley are forced to ration. She is further frustrated when Riley injures himself during a reckless stunt, and she pressures him to promise not to put himself at any further risk. Jenai, however, begins sinking into depression, missing her old life. He amuses himself by photographing Jenai at scenic locations and performing stunts. He leads them on a shopping spree, eventually filling up two SUVs with goods from the seemingly abandoned stores. Riley remains optimistic, and suggests they make the most of the situation. Confused, Riley and Jenai return to the hotel after eating, finding no websites have been updated since yesterday. The power and water remain running, but the live television stations broadcast only test signals. As they discuss the possible reasons why the city has become empty, Jenai repeatedly attempts to contact her family in America to no avail. They spot a running car, and, not being able to locate the owner, appropriate it. They continue having trouble locating other people once they leave: the streets are empty, the stores have no staff, and nobody answers their calls. 
They are frustrated to find that their lodging is not serving breakfast, then confused when they find no staff. Hours later, Riley wakes Jenai to get breakfast. Looking out the window to admire the view, she sees strange flashes of the Northern Lights in the distance.
After retiring for the night, Jenai seems to wake up in the middle of the night and has trouble falling back asleep. Jenai reveals that her father is a preacher, though she says his church was not as pretty. They visit an old church, and a priest tells them some of its history, calling the pre-Christian times simpler.
When Jenai questions why he prefers it over a modern digital camera, Riley says he prefers to capture the imperfections of the moment rather than have a computer chip auto-correct all the errors. Riley has taken his father's Rolleiflex camera and plenty of film. American tourists Jenai and Riley arrive in Iceland and visit several landmarks.
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